Florida Christian Writers

After Your Meeting with an Editor or Agent

Blythe Daniel — Sat, 23 Feb 2013 08:09:52 EST

I’m fortunate to meet and hear from writers at conferences and in other places we meet and there is at least one thing that remains a mystery to me after I meet a writer. So much so that I thought I’d share it with you to see if you have ever been one of the writers that fall into this category. I believe it’s a great hindrance to writers in moving forward after paying to go to a conference, and I don’t want you to be one of these!

Just so you know, I know it is hard to go to conferences and put yourself in front of an editor or an agent. Remember, as agents, we put ourselves in front of editors all the time. We face a “not right now,” or a “not going to work for us” response or any number of comments. We feel your pain, really. And as someone who started out in publishing not knowing anyone, I decided that if I was going to be a part of writing and the media, I would have to introduce myself to people, ask them what it is they do, why they love what they do, and let them know how I would like to work with them. So getting over hesitations or fears is key.

But the big blunder I see writers making is in not following up with an editor or agent after he or she has expressed interest in their material. It sounds crazy, I know. You work hard to get interest but then somehow, writers lose that courage they found at the conference. Or they let other things take over their priorities and they never reach back out to the editor or agent who has said “send me your stuff.”

Now why would anyone paying good money to go to a conference do this? I know, as a mom of three young and active children, that sometimes a day takes a different course than planned and sometimes that happens for months on end. But you have to figure out a better way to follow up with an agent or editor who has said the words you’ve waited to hear: “I’m interested, send it to me.”

Here are four things that I’d like for every writer to know about why it’s important to follow up with an agent or editor:

1) If we say that we are really interested in seeing your proposal and chapters, then we mean it. Not to hear from a writer we have told this to shows us who knows how to follow through and who doesn’t. We can’t help you if you don’t respond to us. If you think, “I’ll work on it some more and then send it,” chances are you won’t. Send it to us and tell us how you plan to change it and we can tell you if we’re interested in seeing the revised version.”

2) Many writers aren’t sure if they’re supposed to email, call, send a personal note, or hand deliver flowers to an agent. What is standard protocol? I like for people I have talked with to email me about a week to two weeks after the conference and send any follow-up material they were going to send that we discussed. If you have a deadline you are trying to meet because another agent or publisher is looking at your materials, please state that in your email. I will respond to you as quickly as I can. I don’t mind getting an email from you reminding that we met. I actually prefer it. As agents, we get busy and often want to respond to the submissions we have on our list. Your email will remind me that we have spoken and that I’m interested in seeing what you have to share.

3) Much of publishing is relationships. We often evaluate how a working relationship will go based on how a writer relates to us as an agent and how they follow up and do what we ask them to do. We know that if this isn’t done well or done thoroughly in the beginning of discussions, then we can tell that the writer probably isn’t going to go very far in publishing if they don’t take some responsibility and provide what we’ve asked for and in the form that we’ve asked for it in.

4) Even if an agent or editor says “no thank you,” to your project, thank them anyway. You would be surprised at the number of proposals I respond to and I never hear anything from the person. Not “thank you for your time,” or “thank you for reviewing it.” Nada. Zilch. Even if the person you want to love your proposal does not indeed love it and they have to decline, you still need to thank them and set a good example of who you are and how you respond to people. This is one of the things that sets good writers apart from more self-serving writers who don’t know how to relate well. Even if your first submission wasn’t accepted, often a writer’s attitude and how they respond can set up a second or third submission with an agent or editor because of how you have responded to the first. If you cut yourself off and don’t respond, you won’t be well-received should you ever try to query an agent or editor again. Be thankful and respectful of the time we spend evaluating your project and listen to why we tell you it is not a good fit with what we are acquiring.

I hope your time at FCWC is spiritually restorative and professionally encouraging. I’d recommend that you ask Jesus now, What do you want my writing to look like this year? What do you have for me and how do I walk in it? If you do this, he’ll show you. And it will be just what is needed for you.

I look forward to seeing you at the conference.

It's Headed Right Towards Us

Amber Weigand-Buckley — Sat, 16 Feb 2013 14:53:05 EST

As I eyeballed Facebook this morning for the news of the day, a CNN link caught my attention. “Meteor blast injures 1,000 in Russia, and by the way there is this another even bigger rock that is headed right towards us.” It’s the making of movies and Mayan predictions that seem so unreal, but when reality strikes there is still a glaze of disbelief, fear in uncertainty and that big “this might be it” feeling. For me, that “Jesus you better be coming back soon” lump creeps the back of my throat.

This meteor phenomenon has never been more evident in the world of Christian publishing than in the past seven years. As a professional in the Evangelical Press for almost 16 years, I can honestly say it’s a time like no other. A time of opportunity, with the advances of technology, for the capacity of the message of Christ’s love to reach boldly where it’s never gone before. It’s also a time of testing, a time of trial by fire, where everything of passion is fired but there is that brick wall of disappointment as publishing houses shut their production and the print world as we know it is turned on it’s head.

In many ways it is the best of worse-case scenarios, because we see the revelation signs, that reflect truth that’s been blazed on our hearts and in our writings. And the reason that we do what we do—to see souls transformed by the love of Christ, so that we, His Church, would be prepared for His soon coming return.

I have seen my share of big fiery doomsday rocks heading right for the heart of the call God created in me—in the past seven years that seem, with the passing of the clock, to ramp up in intensity. I saw magazine upon magazine cut the fat and close it’s doors. I sat in disbelief as ONCOURSE became the last teen publication standing, until the Susie reinvention of Brio.

It seems like nothing is immune to the pinch of economics, no matter how relevant or hip or needed in the marketplace. But through this time, I’ve also seen great mustard-seed miracles as resources dwindled, and so much more being accomplished, so many more being reached, with so much less. One of the most profound memories etched in my head was back in 2006, when I was one of those brought into an office and told I was going to have to find another job only to have God turn that around in the time span of less than a day. And here I am almost seven years later with the number one digital and print youth magazine in the nation, with a full-time staff of one.

That is God’s unfolding faithfulness, even though in May I was faced with the transition to eMag and one print magazine a year. It is so awesome to be on the forefront of building ONCOURSE to reach a new generation taking full advantage of the digital era. I know that God remains faithful to carry the message where it needs to get, with time, patience and prayerful wisdom. He directs everything and His message never can be silenced.

As artists staying true to the Word, we need to know that this adversity comes to teach us something about the gift that is being uniquely unfolded in each of our lives. We also need to know that there is a target squarely aimed our heads because Satan would do anything to keep the message silent. We must keep these things front-and-center as the furnace is turned up in the last days before Christ’s return. We must be faithful in prayer, faithful to His message, faithful to the tasking and faithful to His direction. We also must be faithful to the audience of one—because the one, not the thousands is our mission field.

One of the most profound quotes that I have ever heard in my life was during one of my interviews with “Veggie Tales” guru Phil Vischer: “God does not want us to focus on impact. He wants us to focus on Him. The impact that we dream of and hope for doesn’t occur when we’re pursuing impact. It occurs when we’re pursuing God. You can’t find God’s passion or dream for your life when you’re hanging onto your own.”

We live in the reality of telling stories in the atmosphere of whatever will be. There are trends that point to a revival in print medium in the 35 and under crowd. But there is also the reality that time is short and we know that for Christians, as we approach the last days the work that we have to do will not get easier. We must anticipate in the whatever-may-comes all the distractions and discouragements and pitfalls to be thrown in our path—keeping us off task. But the reality is, that is what we signed up for, to be on the front lines-—and those rocks are zeroed in and headed right towards us. That’s why we need to keep Galatians 6:9 in front of our faces: "Let us not become weary in doing good, for at the proper time we will reap a harvest if we do not give up" (NIV).

We must not allow ourselves to grow weary in penning the story. We can’t allow discouragement to settle in. We must seize every billboard in our reach to paint it, and if they pull those billboards down, we must be obedient to ask God to open our eyes to opportunities to build new ones.

As a fellow Christian communicator, I would encourage you, as you are going through your day, praying about the things you will say and the opportunities to make those divine-appointed connections to launch your writing ministry, take time to specifically pray for the world of Christian publishing. Pray for favor and mustard-seed miracle moments. The prayers of the faithful have the power to stop the sun. That’s what God does because He hears the cries of His people. And at the end of the day we just carry the story that He pens in our hearts—all because of favor…all because of grace…all because of love. And it is the job of the Spirit to take it where it needs to go.

Amber Weigand-Buckley @oncoursegirl, editor for ONCOURSE, the Assemblies of God national youth ministries magazine, guided the Fall 2012 transition from print to digital eMag format--reaching beyond the Web to access the tablet and smart phone marketplace. ONCOURSE won the 2010 and 2011 Award of Merit for youth publication from the Evangelical Press Association and the 2012 Award of Excellence for youth print and digital publication. Amber is also host of the OCTV Soundcheck Video podcast and has served on the ONCOURSE editorial staff almost 16 years.

LIKE ONCOURSE on Facebook, follow @oncoursemag on Twitter and follow our boards on Pinterest.

So, Tell Me About Your Platform

Cheri Cowell — Mon, 11 Feb 2013 08:44:17 EST

If you meet with editors, quickly you'll hear the familiar and often dreaded question, "So tell me about your platform." For some, that is a welcomed question and they launch into a long explanation of their speaking engagements, article placements, and social media connections.

Most authors, however, shudder at this question and secretly mumble, "I'm a writer, not a speaker." Through the years I've met many fabulous writers who were not natural-born speakers. The thought of standing in front of a room full of people eagerly hanging on their every word terrifies them.

If I am describing you, I want to give you encouragement and some tools to help you answer the platform question. Let me assure you that you don't have to be an inspirational speaker to have a platform. The good news is if you have a book, you have the building blocks for a platform.

In my workshop I will help you develop those building blocks into the needed platform, to help you think outside the box, and to begin to think through your message in a new way—a platform way. Then the next time an editor asks you the platform question, you'll confidently respond, "I have a platform...let me tell you about it."

Cheri Cowell offers marketing coaching through her annual Marketing in the Mountain Retreats.

Four Keys to Your Conference Preparation

W. Terry Whalin — Thu, 7 Feb 2013 10:54:14 EST

This month, I’m traveling to the Florida Christian Writers Conference and I look forward to it. I’ve been revising and updating my workshop on book proposal creation, Editors Read Proposals Not Manuscripts. I’ve been sorting through my 20+ years in publishing and preparing which stories to tell during my class.

I love writers’ conferences. It’s a grand idea haven to talk shop and learn from other writers. If you want to succeed in the writing business, I’ve got four keys to enhance your conference experience:

1.      Take daily time to pray about the various people you will meet and the ideas you will discuss. Ask the Lord to guide you through each detail of the conference such as who you will sit with at the opening meeting or where you will sit at each meal and what will be discussed. Ask for God to give you divine appointments. These encounters will be far beyond anything that you could have orchestrated or planned. Be looking for the Lord’s handiwork at the conference.

Some people call those divine appointments or “a pack your bags experience.” That means if you had to leave the conference early for some reason, then you would have had such a great experience with the greatest personal benefit. Through prayer you will come to the conference full of expectation and a spiritual sensitivity that God will work while you are on the conference grounds.

2.      The second way is to come prepared to meet others and start new relationships. As a part of your preparation, create some business cards and be prepared to give them out to everyone you meet—but don’t make it a one way exchange. When you give a business card, make sure you receive a business card. Double check your business card to see if it contains your complete information: name, mailing address, phone number and email address. It’s surprising how many participants do not create a simple business card—even if you buy blank cards at an office supply place and print your own. Bring plenty of copies of your business card. It is frustrating to the other person when someone says they only brought a few cards and have given them out. Writing is a solitary occupation and we need each other. You will form new and lasting friendships at the conference if you come prepared for it.

3.      The third key for your conference experience is to study the background for the various faculty members and get familiar with their different roles. Publishing is constantly changing. You want to know who you are meeting and their role. For example, I changed roles last year and became an acquisitions editor at a New York based publisher. Your familiarity with the different faculty will help you form deeper relationships during the conference. I believe your time in preparation will be rewarded.

4.      The final key for your conference experience is to come with the right heart attitude. Many writers come to their first conference expecting to sell their book manuscript or magazine article. Yes, there will be some selling during the conference. A much more central part of every writer’s conference is where individuals learn new aspects of publishing and take great strides of personal growth. Come with expectations and a willingness to learn and grow. With the right heart attitude, I’m convinced that you will not be disappointed but your expectations will actually be exceeded.

How can I say that expectations will be exceeded? Because I know each member of the faculty is a Christian and a person who is filled with the Spirit of the Living God. I love the verse in Ephesians 3:20 which says, “Now to him who is able to do immeasurably more than all we ask or imagine, according to his power that is at work within us.”

Today God is preparing for you the people and lives that will be touched during the time we are together. I will be coming with high expectations and anticipations. I’ve not ever been disappointed in the past.

See you soon at the conference!

W. Terry Whalin understands both sides of the editorial desk--as an editor and a writer. He worked as a magazine editor and his magazine work has appeared in more than 50 publications and he’s written more than 60 books for traditional publishers. A book acquisitions editor for several publishers and a former literary agent, Terry is an acquisitions editor at Morgan James Publishing. Whether you are unsure how to start on the path to publication or want to take your publishing career to the next level, Terry’s newest book, JUMPSTART YOUR PUBLISHING DREAMS, INSIDER SECRETS TO SKYROCKET YOUR SUCCESS is packed with insight. Also Terry is the author of the bestselling book, BOOK PROPOSALS THAT SELL, 21 SECRETS TO SPEED YOUR SUCCESS. Plus he’s recently launched a 12 lesson online course on proposal creation, Write A Book Proposal. At the Florida Christian Writers, he will be teaching a one hour workshop, Editors Read Proposals Not Manuscripts.

How Will Readers Find Your Book...

Eddie Jones — Fri, 1 Feb 2013 09:07:24 EST

... if there are no stores?

In November 2012, The United Methodist Publishing House announced it would close all Cokesbury stores. Around the same time Publishers Weekly reported: “Family Christian Stores, the largest Christian chain, has received a cash infusion from new investors and is going forward under new owners.” Anytime a business needs “a cash infusion” it’s a sure sign the patient is anemic.

In the past six weeks, B&N closed stores in upstate New York, Manhattan, Los Angeles, San Francisco, Philadelphia, Washington, DC, Seattle, Chicago, two stores in Dallas, and another in Austin. This week B&N announced they will close at least a third of their stores in the next ten years, leaving many authors to ask: “How will anyone find my book if there are no stores?”

Good question. Before I answer, let’s examine the shifting landscape of book buying.

First, B&N will (probably - maybe) survive - but not as the bookstore giant we’ve come to loathe and love. Look for B&N to evolve into an Apple-type store with a shifting emphasis toward marketing NOOK eBooks supplemented by print best sellers. You may also see them moving toward larges kiosks in malls and airports. This transformation will occur gradually as B&N lease agreements expire.

Second, independents will gain more influence as B&N’s dominance wanes. This is especially true in the Christian bookstore market. In fact, Christian bookstores have already morphed into “Christian stores” that also carry books. Shelf space will shrink for books but many stores will continue to serve as venues for book signings.

Third, there is Amazon. Amazon.com confirmed this week it is building three fulfillment centers in Texas. Amazon already has 40 fulfillment centers and offers same-day delivery in 10 major markets, including Washington, D.C., Chicago, and New York. Market analysts believe Amazon will expand its one-day service to more regions over the next five years. Until recently, the knock against Amazon was their refusal to charge sales tax. They currently charge sales tax in 8 (and counting) states. Look for Amazon to begin adding retail distribution centers in more states.

Now, back to the question: how will anyone find your book once it’s published? The good news: Amazon makes this easier, as I will explain in my class: Amazing Results with Amazon.

Amazon flattens the world of book selling by giving every author the chance to sell big. When Amazon notices your book is selling, it automatically displays your book higher in its search results and higher in its category lists. More importantly, Amazon starts plugging your book into book recommendations on its Web site and in e-mails to customers.

Books that sell moderately well may eventually be assigned to multiple categories. Imagine your book shelved in a dozen different sections of a brick-and-mortar bookstore. The difference is, Amazon is the world’s largest bookstore and may send thousands of readers to your book. Here are seven ways you can make Amazon’s worldwide reach work for you.

• Solicit Amazon reviews
• Keep your book’s detail page current (yes, an the author you can control this)
• Manage and promote your Amazon “Author Page”
• Pin your book on Pinterest from its Amazon page
• Keep your Kindle Profile Page current
• Buy your book and share highlighted passages on Facebook and Twitter
• Post your book trailer on your book’s Amazon page

We will cover these and other Amazon marketing tips in our class Amazing Results with Amazon. If you have questions or comments find me online at: EddieJones.org or send me a tweet @EddieJonesWords. And don’t forget to check out our 2013 releases at: www.lighthousepublishingofthecarolinas.com.

Niche Blogging And The Inspirational Audience

Gail Golden — Tue, 29 Jan 2013 11:35:15 EST

A couple of years ago while visiting the Better Homes and Gardens website, I found a wonderful interior decorating blog: The Nester.   I began following the blog, and was delighted to see how the author wove her Christian faith into her posts about decorating.   I realized that niche blogging gives an opportunity to reach people who would never seek inspirational writing or the Scriptures.

That encounter led me to more blogs and introduced me to the world of niche blogging, which is huge. Thousands follow the writings of decorating, sports, cooking, and gardening bloggers. Those followers are potential book buyers, and can help build an author’s platform.

Ann Voskamp’s blog, A Holy Experience, is a good example of what can happen. Ann focuses on farm life and mothering. Interwoven are her daily struggles and joys, along with the wisdom she finds through the Scriptures.   Her book, One Thousand Gifts: A Dare to Live Fully Right Where You Are, has been on the New York Times Bestseller List for over 59 weeks.   While she may look like an over-night success, according to her archives, Ann has been blogging since 2003. Her book wasn’t published until 2011.   Ann’s blog had built readership and community among her followers, which publishers look for as a part of an author’s platform.

What is your passion?   I know you are passionate about your faith in Christ and your writing, or you wouldn’t be visiting this website. We write because we have something to say – about our passions. Blogging is the same. When we write from our passions, we never run out of ideas for blog posts. Showing readers how our faith plays out in our daily lives and in our passions can impact people who may never read a book or search for a Biblically focused blog.

In my workshop, Blogging for the Inspirational Audience, I’ll be sharing ideas to help both beginning and seasoned bloggers:

Beginners will learn how to start a blog in less than ten minutes.

Seasoned bloggers will learn how to develop a blog following and how to use social media to promote their blogs.

As a bonus, I’ll share tips on how to make money through blogging.

I promise I can do all of that in one hour. Trust me.

Gail blogs at www.gailgolden.org

Tips For Coming to the FCWC From a Floridian

Cheri Cowell — Sat, 26 Jan 2013 21:45:40 EST

Many of you are escaping the frigid North to attend the FCWC. As a native Floridian and a writers conference junkie, I want to offer first timers a few tips.

1. Yes, this is the Sunshine State, but it does get cold here. We may not get snow, but in February/March you need to be prepared for cold fronts, which can bring rain, strong and cold winds, and temps that dip into the 30's. It may also be a warm and beautiful 80 degrees (Chamber of Commerce Weather), so check the weather forecast before packing.

2. Bring a sweater or jacket for cold and drafty rooms. If you are experiencing "that time of life" you may want to dress in layers as rooms can be hot if the temps drop outside and Floridians have turned on the heat as if it is 20 below.

3. I dress from the shoes up. You will be on your feet from early morning till late at night so think comfort. Also, this is a Christian retreat center in sandy Florida. Your heels or sandals will not serve you well.

4. The flip side of the comfort coin is the professional point. Consider this a four-day interview. Whether or not you intend to meet with an editor, you will be sharing meals with editors and industry professionals and you want to look like you belong. Dress "smart casual" and bring a bookbag to carry a notebook, handouts, freebies, and purchases from the bookstore.

5. Finally, the most important thing you can pack is prayer and an attitude of openness. Begin to pray today for the conference, the speakers, teachers, and editors. Pray for an openness to whatever God has planned, for a willingness to set aside your own agenda for God's. Then pray for opportunities to be a blessing at this conference. You never know what a difference one encounter can make. It is not an accident that you are attending this year.

To land Cheri Cowell's first book contract, she attended 2-3 writers' conferences a year for 7 years. The FCWC was always on the list.

How to Write For Kids When ...

Michelle Medlock Adams — Wed, 23 Jan 2013 16:06:57 EST

...You Don’t Have Any of Your Own.

“Stop it, Ally!” screamed her older sister, Abby.

Still, the taunting continued in the backseat.

“Abby is a stupid head!” Ally shouted in a sing-songy manner.

“That’s enough,” I interjected, glaring at my two preschoolers in the rearview mirror.

After a few moments of quiet bliss, Abby leaned forward and very seriously asked, “Mommy, can we just sell Ally?”

“No, I think we better keep her,” I answered, trying to stifle my giggles.

As Abby sank back into the car seat, I made a mental note: “Write a picture book about wanting to sell a little sister.”

Out of that encounter with my bickering babes, Sister For Sale was birthed — a picture book released in March 2002 by Zonderkidz, and since released in a paperback version (2004) and a special I CAN READ format (2007).

In fact, most of my ideas for children’s stories have come from observing Abby and Ally going about their everyday kid life; listening to their delightful dialogue; and eavesdropping on them and their friends. But, what happens now that they are both teenagers? I’m not about to have more babies just so I can stay “in touch” with today’s kiddos. (Hey, I’m dedicated to my craft, but that’s pushing it!) So, how can we write for little children when we no longer have young kiddos living in our homes? We have to embrace the three important “R’s” – Rent, Research and Remember.

1. Rent a Child for the Day: If you don’t have any children, you need to hang out with children so that you’ll understand kid lingo, children’s likes and dislikes, current trends, etc.
Offer to babysit for the neighbors’ children or your relatives’ children.
Take your turn working the nursery at church.
Work with Girl Scouts; Boy Scouts; other children’s groups.

2. Research: hang out where kiddos hang out; read what they are reading; watch what they are watching; get into their world! You’ll want to observe children at play. Watch how they interact. Listen to how they talk. Observe how they move and what they wear, etc.
Go to the Park.
Go to Chuck E. Cheese.
Go to the zoo.
See the latest animated movie and tune into the Nickelodeon and Disney channels on TV.
Read the Newbery and Caldecott winning picture books each year. (http://www.ala.org/alsc/awardsgrants/bookmedia/newberymedal/newberyhonors/newberymedal)

3. Remember: think back to when you were a kid: Times may have changed but the raw emotion of a story never goes out of style.
Draw from your own childhood experiences.
Tap into memories of your proudest, saddest, most embarrassing or disappointing moments. Slang, toys, and fashions come and go, but feelings are universal and timeless.
Childhood memories may be the story buds for numerous future articles and books. The key is to remember with all of your senses—what you saw, how it felt, how it smelled, etc.

Become that child again…

The old writer’s cliché, “Write what you know,” is still as true as the first time some wise person said it. So, get to know the children you’re writing for, and enjoy becoming a kid again. Now, don’t bother me. “Big Time Rush” is about to come on Nickelodeon…

Michelle Medlock Adams is an award-winning author of more than 35 children’s titles and 58 books in all. When not writing, she enjoys hanging out with her daughters, Abby and Ally, and cheering on the Indiana University Basketball team. Go Hoosiers! The Adams family resides in Bedford, IN. www.michellemedlockadams.com

What I Look for in Non-Fiction

Les Stobbe, Literary Agent — Mon, 21 Jan 2013 05:51:56 EST

While I represent both adult fiction and non-fiction, I’d like to focus on what I am looking for in non-fiction in this blog.

As acquisitions editor I used to attend writers’ conference to listen to what was on writers’ minds and hearts, then I’d examine book projects from my freshly gained perspective. I was looking first for practical ideas that could inform other Christians during times of Christian service, stress, transitions, loss. We lived in an idea-driven publishing world. With Christian publishing’s big changes, I am now looking for what will give a writer the edge in a market-driven publishing world. What value-added content has the writer provided that will give a marketing department joy in selling the book?

Practical biblical insights.

I think back to the 2012 Forida conference, where I met some really good writers and scanned some intriguing proposals, but only one of those writers now has a publishing contract. When Jane Glenchur sat down with me she presented a book project entitled “No Non-cents Wisdom.” What caught my attention was the line, “It is a practical guide to accessing supernatural wisdom through prayer.” Because books on prayer are perennial sellers, I kept reading and saw “In the decade and a half since hanging up my white coat, God has taught me how to lay hold of His divine directions, enabling me to manage our household during periods of no income, to make godly decisions about healthcare, time management, job opportunities, and a myriad of day-to-day decisions.” I focused on “laying hold of divine directions.” I knew that the supernatural had gained marketability, but now I was seeing it paired with a practical life application informed by miracle-expecting prayer. That was value-added content I had not seen in any presentation on prayer. I agreed to receive a full proposal with sample chapters. Along the way Jane agreed to a change in title to 7 Secrets to Power Praying and Chosen Books offered a book contract.

There’s another kind of value-added content I am looking for: special add-ons that set the book apart, an endorsement by a truly internationally known expert/author, a unique approach to teaching a key biblical truth.

Extra effort in presentation of truth.

At a writer’s conference in Kansas City I met two authors who had made extra effort in presentation of truth. One of them was Kristen Feola, who while not exuding any special aura, presented a proposal that revealed an incredible level of commitment to her book idea. Instead of just sitting at her computer and cooking up a book on The Daniel Fast, she set up a photo corner in her kitchen and began preparing meals for those willing to participate in the 21-day fast. Each dish had the color combo that made for a great picture in her mini photo studio. She didn’t stop with 21 dishes—she prepared 100 dishes and photographed them.

When not in the kitchen Kristen was at her computer writing and rewriting 21 devotional meditations. Then she added three chapters explaining the biblical rationale for the Daniel Fast, as practiced by the large church she attended—and others across the land.

When I e-mailed the proposal, with sample photos and devotionals, Sandra Vander Zicht of Zondervan jumped on it and quickly put what became The Ultimate Guide to the Daniel Fast on a fast track for publication.

A combination of great writing with a major twist.

Len Bailey wanted to develop a Bible study that would lead readers into the Bible. He knew jaded Bible students needed a fresh approach. He decided to invite Sherlock Holmes and Watson to engage in time travel to ten Bible stories to solve a remaining mystery—and then add questions for each story that would invite readers into the stories to solve a remaining mystery. Talk about a contract generating major twist!

When I described the unique involvement of Sherlock Holmes and Watson in exploring Bible stories to Matt Baugher of Thomas Nelson I could see by his enthusiasm that the sale had been made. Yes, he still had to persuade a skeptical marketing team, but he was able to do it and the book will be released in late April as Sherlock Holmes and the Needle’s Eye: The world’s Greatest Detective e Tackles the Bible’s Ultimate Mysteries. The needle’s eye is a specific mode of time travel even more unique than C.S. Lewis’s use of a wardrobe for his characters’ travel into another world.

So what am I really looking for at the Florida Christian Writers Conference? Book proposals that have a value-added approach or content.

What are the After-Hours Critique Groups?

Henry McLaughlin — Thu, 17 Jan 2013 14:12:30 EST

Director's Note: This year we are adding After-Hours Critique Groups to FCWC2013. Henry McLaughlin is a Word Weavers International Mentor and will be overseeing some of this process. Bring what you have and get what you need!

Maybe you’ve never submitted a piece to a critique group, but there is nudging in your heart to do so. You’ve heard how important such groups are to your development as a writer. Still, the questions come:

How am I going to know how good my writing is if you don’t show it to someone outside my immediate circle of family and friends?
How am I going to learn?
But what if the group doesn’t like my work?

These were some of the questions that went through my mind early in my writing journey. The fear of rejection was so strong, I hadn’t even shown my work to my wife.

I remember the first time I submitted a few pages to a critique group. I had observed a couple of meetings before working up the nerve to take that first step. I knew they gave constructive feedback, pointing out the positives and discussing areas that needed improvement as just that, not as serious errors or unsolvable problems, or the ramblings of a no-talent dreck.

Yet, doubts and fears nagged as I entered that meeting. What was I thinking? Who were these people? Why am I showing them these horrible pages I call my story? They’re going to see right through me and expose me for the fraud I am.

I survived that first time. And many more times after that.

I’ve been active in critique groups for several years now, most recently as a leader, coach, and mentor. They are one of the most valuable tools in a writer’s toolbox for honing the craft, for gaining new and deeper insights, and for developing that thick skin we all need in this business.
A good critique group is one of the safest environments for receiving criticism. You’re among fellow writers with whom you’ve developed relationships and trust. You know each member's strengths and you draw on that to improve your own writing. You learned to discern which feedback to receive and implement and which to discard. The group helps you develop into a writer who can take one step back from their story and openly see where it needs improvement.

Handling criticism is a learning process. There is no magic pill for it. You have to go out there and risk. And risk with the knowledge that your manuscript is not you. Yes, you’ve poured your heart onto those pages. Yes, the story is a part of you, a vital part, in some cases, maybe the best part of you. But it is not the person God created and called you to be.

Writing may be part of our calling. But it is a part that must be refined and purified to be fit for the master’s use. We must be equipped with all we need to do His will. Asking for criticism and feedback and learning how to evaluate it and incorporate it into our writing is part of the refining.
Criticism can show us how to improve our writing to reduce the chance of rejection next time. It can motivate us to re-write and edit and improve our craft.

Criticism is an opportunity. How we handle it determines whether it is an opportunity for growth or for defeat.
This year’s Florida Christian Writers Conference will provide the opportunity to participate in a Word Weavers critique group. After being part of several critique groups, I find the Word Weavers method to be the best in providing a safe and structured environment for receiving feedback about our writing.

We’ll begin by having the person to the right of the author read the submission. This is a great tool because when we hear someone else read our words—cold—we catch little things, and sometimes, big things, we would have missed otherwise.

Next, the person to the left of the author provides the first feedback, using the sandwich method. We begin with bread by pointing out something positive we saw in the writing and not just a general “I like it.” We endeavor to be specific about what we like. Then, the person points areas that need improvement, that were unclear or confusing, or need further development. Finally, comes the last piece of bread, where the critique gives another positive comment about a different aspect of the material.

The feedback continues around the group and ends with the reader. To keep the process moving, we try to avoid repeating what a previous group member said, other than to say something like, “I agree with what Mary said about….”

One of the keys that makes the Word Weaver method so helpful for authors is the author is not allowed to speak during the critique. We refrain from offering either explanations or defenses of what we wrote or why we wrote it that way. If our work is published, we won’t be able to sit down with each reader and say, “Well, this is what I really meant.” This part of the method helps us to see where we really need to make changes in our story when we do the edits and re-writes.

So come to the conference prepared to learn. Bring six to eight copies of up to 1500 words (line-numbered and double spaced) you want critiqued.

And come knowing you are entering a safe place to share, and learn, and grow.

What is BookJolt? - The Power of Free

Athena Dean — Mon, 14 Jan 2013 19:41:59 EST

Recently I canvassed some successful authors and learned that one-third of those surveyed absolutely hate promotion. Some called it their biggest frustration as a published author. I don’t blame them. For many, promotion can be a very frustrating and a hard-to-measure endeavor. But, it’s necessary if a book project is to achieve success.

Bob Mayer and Jen Talty sum up the importance of promotion in The Shelfless Book: The Complete Digital Author, “Content is King and Promotion is Queen: together they rule the publishing world. Today, you really can’t afford one without the other.”

Contrary to the experience of many, promotion doesn’t have to be agonizing.

Not long ago I got together to brainstorm with a couple of friends of mine—The Miller Brothers—whose minds also run on wired-to-promote tracks. For years The Miller Brothers have dreamed of giving their books away for free in a format that could go viral and create visibility and a platform for their other books. As award-winning Warner Press authors of young adult fiction and technology, and design and marketing experts, they are passionate about getting their books—and the books of other authors—in front of the right audiences. My experience as head of a publishing company has been in coaching hundreds of authors through production, publicity, advertising and promoting of their book products.

When Christopher and Allan Miller and I started talking about implementing our ideas of how to make promotion easier for other authors, the light bulb went on. And it had to do with giving something of value away—for free!

The concept of giving something away for free to attract customers is nothing new. In his 2009 book Free: The Future of a Radical Price, Chris Anderson wrote:

Most transactions have an upside and a downside, but when something is “free!” we forget the downside. “Free!” gives us such an emotional charge that we perceive what is being offered as immensely more valuable than it really is. Why? I think it’s because humans are intrinsically afraid of loss. The real allure of “free!” is tied to this fear. There’s no visible possibility of loss when we choose a “free!” item (it’s free). But suppose we choose the item that’s not free. Uh oh, now there’s a risk of having made a poor decision—the possibility of loss. And so, given the choice, we go for what is free.

The Miller Brothers and I started talking about ways to utilize the power of free and the effectiveness of social media to distribute books instantly to fans and their friends. There is a recognized value in offering great stories for free to develop a relationship between the author and reader.

Then we talked about how the power of a connection of the power of free and instant with word-of-mouth recommendations from fans. What could be more powerful than removing the barriers of cost and access entirely? Or, empowering loyal readers to share books with hundreds or thousands of friends with one click?

Out of our talks came the idea for a company whose backbone is a tool to help authors promote their books and connect directly with their readers utilizing cutting-edge technology. We came up with a way to give authors a tool that makes promotion fun, easy and pays them for every page of their book that is read online. Now, in addition to traditional pay-per-book-sold models, authors have the ability to monetize their books in an entirely new way. We’re talking pay-per-page-read!

You can’t be in this industry and not know that e-books have gained momentum dramatically over the last few years. So much so that in the third quarter of 2011 forty percent of all Christian fiction was selling in e-book format, according to the Book Industry Study Group. Some traditional publishers have even figured out that giving an e-book away for free (if it’s a great read) boosts sales of the printed edition.

On July 17, 2012 our dream became reality when our new author-centric company BookJolt was launched. We began to develop the technology to offer free reads on laptops, tablets and phones in order to offer a cutting edge option for authors to reach their readers.
The way it works is like the free games or apps that you can download. They’re free because of the advertisements that create revenue for the app developer. If you don’t mind the ads, you don’t have to pay. Sure, there are often beefier, more feature-rich versions that you can upgrade to for a small fee if you find the apps useful. But either way, the apps can be tried risk free because of the ad revenue stream that exists.

Our embeddable Free Reader works the same way. Think: YouTube for Books! A free-to-read, easy-to-share (with one click), version of the book that costs the author NOTHING (after modest set up cost) and allows their stories to go viral. The model earns authors income as readers discover and enjoy their stories. The tool will also allow authors to have personal advertisements throughout the free reader version of their book, with hot links to all their e-books and print books for sale. A more advanced version will include immediate reporting and live interaction tools.

If you want to check out the Free Reader, click on this link. Open up a book from the library, click on all the buttons and take a good look around! The most exciting news after Beta Testing the app is that the ad revenue is coming in about five times higher than we initially expected…if a reader were to make it through a 75,000 word book on our FreeReader (instead of buying the e-book or print version after only reading the first few chapters) we’re finding the numbers coming in at $5.00 to the author…that’s after we retain our portion of the ad revenue! I’ll bet that’s more than any of you earn on an online sale, am I right?

We’re looking for electrifying results from this exciting new venture as we explore creative ways to take the frustration out of marketing and provide other author services. If you are interested in making your book available on our FreeReader, please email me directly at athena@bookjolt.com. And I look forward to connecting with many of you face-to-face at the conference coming up!

An Obituary for Harold

Ben Erlichman — Thu, 10 Jan 2013 14:13:05 EST

Wondering about Flash Fiction? Here's a sample from Ben Erlichman, who will be acquiring and critiquing many genres of Flash Fiction at FCWC2013.

Harold Poofenstein, a gray squirrel, lived his life perpetually scampering just out of danger's grasp. But on Tuesday the 4th of October, danger finally caught up with Poofenstein, this time in the form of a red 2002 Ford Escape.

Fresh off his lunch break, Poofenstein approached the street from the west side with confidence and abandon, just as he approached life itself, friends say.

Harold was a maniac,” said Mitch Featherby, a black crow and one of Harold’s closest friends. “I mean, we used to party behind grocery stores and restaurants, looking through their dumpsters for tantalizing morsels late at night, but that was nothing compared to Harold’s antics in busy city streets.”

The Escape struck and killed Poofenstein near the intersection of Green Bay and Mill Road in Glendale, Wisconsin on October 4th. Witnesses say that Poofenstein sprinted into the street as the Ford Escape approached.

“He just ran out there. Didn’t stop to look both ways. Didn’t listen for cars,” said witness Donovan McFluffy, a cottontail rabbit. “The sound of the impact was one of the most sickening things I’ve ever heard. And that’s saying something, because I’ve got forty-seven kids back at home with Mrs. McFluffy.”

“Sure, the driver was probably speeding,” said Grip Serpentino, a garter snake who also witnessed the accident. “But that squirrel was pretty dumb for just running out there. I’m not saying he deserved what he got, but consequences have actions, you know?”

“He did that sort of thing all the time,” Featherby said. “I’m pretty crazy myself sometimes, but hey, I’ve got wings. Harold just didn’t know his limits. I guess that’s what I admired about him the most.”

Poofenstein’s family wants answers.

“My son gets hit by a truck that size and no one in Glendale so much as lifts a paw to see that justice is served?” said Joyce Poofenstein, Harold’s mother. “It was a hit and run. Period.”

“Someone should do something about these drivers,” said Dirk Poofenstein, Harold’s father. “The city of Glendale needs to step up its efforts. How many more squirrels have to die before someone takes action?”

“So what if he still lived at home with his parents, never really did well with the lady squirrels, and routinely raided public restroom trashcans for discarded food?” said Featherby. “Harold was an inspiration to all who knew him. He went out there and took no prisoners. He died as he lived: a rebel, a hero, and now a legend. He was my friend.”

Poofenstein is survived by his parents, Joyce, 3, and Dirk, 4, several cousins and extended family, and a host of friends who will always remember him for his daring escapades.

Memorial services will be held by the bubblers in the southeast corner of Kletsch Park in Glendale on Friday, October 14th, 2011. The family asks that all donations in Poofenstein’s name be given to the Wisconsin Humane Society.

To read more about Ben's contribution to FCWC2013, click here.

First Time Attending a Writer's Conference?

Julie Gwinn — Wed, 9 Jan 2013 12:46:28 EST

If the Florida Christian Writers Conference is your first conference, or even if you are a veteran conference attender, here are some things I would recommend you do prior to coming:

Research. Research the agents, editors and publishers you plan to meet with to make sure that you are a good fit for them. I always ask, why do you want to publish with us? Which of our authors have you read? Do you follow us on Facebook and Twitter? This is the ultimate shotgun or rifle analogy you often hear. Do you try to meet with as many folks in the hopes that one will work? Or do you do your research and schedule meetings with select agents and editors knowing your work is a good strategic fit for them?

Prepare. It is helpful to have a one-sheet of your current project, but also have an idea of what your next projects (in the series if it's fiction or next idea if it's non-fiction). As a publisher, we are looking for a relationship with an author. So while I am interested in what you are currently working on, I want to know what other ideas you have cooking.

Relax. I have had authors who are so nervous they physically shake, cry, forget what their story is about or freeze up during our meeting. We both have something in common. We love books. And in my case, I love a good story. So take a deep breath. Relax. Enjoy the experience of sharing your story with someone who loves books as much as you do!

To read more about Julie's contribution to FCWC2013, click here.

Looking Forward to Meeting You!

Tamela Hancock Murray — Tue, 8 Jan 2013 15:44:31 EST

I am looking forward to meeting authors in Florida! The conversations always excite me. I love the energy, exchange of ideas, and making new friends. I enjoy seeing familiar faces, too.

The only drawback to the scheduled meetings is that they are almost always too short for me to tell on the spot if I will be able to pursue representation. I look at them as a chance to get to know an author's career vision and heart. Then, if we think we might make a good team, I'd like a chance to give their work serious evaluation when I'm in the quiet of my office.

Because you have met me, I already have a great impression of you and have a basic idea about your work. I have asked to see more, meaning it's a book I think I have a chance of selling. So your work jumps ahead of the general slush pile. Once I receive your submission and see that I believe it does live up to expectation, I'll pass it on to a reader who looks for factors such as:

1.) Excellent writing.

2.) For fiction, coherent plot.

3.) For nonfiction, whether the intended audience is likely to connect with the topic.

4.) Overall message of book, whether fiction or nonfiction.

The reader's opinion carries much weight. I will consider the reader's report as I give your work a final evaluation. At that time, I must consider many factors as I make my final decision. The factors differ, depending on the author's publishing history, type of manuscript in question, and my belief in its marketability. The main point to remember is that rejections from my office are never a reflection of a writer as a person, and I think most agents would make the same statement. I wrote books and articles for many years, so I know what receiving a rejection letter feels like. Since so much of yourself is put into your work, rejection does feel personal. One of the most difficult parts of my job is sending a rejection notice to an author I know and like. But if I waste her time, mine, and the editors', then attempts to market out of a sense of friendship won't help any of us.

On the flip side, when I do offer representation, you can be confident it's because we -- and by we, I also mean Steve Laube -- feel your work is worthy of inclusion of our roster.

To read more about Tamela's contribution to FCWC2013, click here.

Why Take the Chance?

Fay Lamb — Mon, 7 Jan 2013 08:43:58 EST

Stick around the business long enough and you’re going to find an exception to every rule. You know, the best-selling author who says, “I don’t worry about grammar and punctuation. I just tell the story and let a copyeditor deal with the rest.” Sure, it happens. Someone writes a novel that is so intriguing an editor overlooks the details, but how often does that actually occur?

As a writer, it is important to present the best product possible. Your manuscript must show up on the editor’s desk dressed for success. Without proper knowledge of grammar, spelling, and punctuation, though, a manuscript often shows up looking as if it’s attending a luau.

A well-written story in which the author shows a command of punctuation, grammar, and spelling has advantages over those with only a strong storyline to back it up. First, a well-edited manuscript speaks loudly to the editor. What does it say?

First of all, it tells an editor that the author has taken time to study the details of storytelling. They haven’t taken the hurried route, slapped a novel together, and sent it out half-dressed, hoping that the story alone will sell the manuscript.

Secondly, it shouts to the editor that a writer cares about her manuscript. She’s taken the time to adorn it with the right accessories.
An author who has shown a command of the nitty-gritty details—those elements that aren’t as fun as the telling of the story, can also expect to get away with breaking the rules of grammar and punctuation. The emphasis of a perfectly placed comma, when it goes against the rules, will standout to the editor, let him know that the author not only has a knowledge of the rules but she also knows how to break those rules with pizzazz.

Many new authors ask the question, “If so-and-so best-selling novelist can break the rules, why can’t I?”

There are a couple of reasons so-and-so best-selling novelist can get away with the skirting of rules: one, they may have been in the business longer than you’ve been alive. The rules that we follow now may have changed with time. Best-selling novelist has a track records, and a publisher isn’t about to make her change her winning ways. Two, what the young author may see as a breaking of the rules may just be style and voice. Among other elements, style and voice are created when an author knows the rules and how to break them for optimal affect. How can a writer who hasn’t studied the rules know when it is best to break them?

When an individual shows up for a job interview wearing shorts and sandals amidst a plethora of other candidates dressed in suits and ties, that person isn’t likely to win a coveted position.

The same holds true for a proposal. Why take the chance of sending it dressed in a sundress and floppy hat? A manuscript should be adorned with the proper accessories and dressed to impress.

To read more about Fay's contribution to FCWC2013, click here.

Having a Positive Influence

Deborah Raney — Fri, 4 Jan 2013 11:55:00 EST

Just before a new book is ready to hit the bookstores, most publishers send out what they call “influencers copies”––hot-off-the-press books intended to start a buzz among readers all over the country. What fun it is to send one hundred reading friends a free copy of my new novel! But often the question that follows the thank-you is, “What am I required to do as an influencer?”

Well, technically, nothing. There is no obligation whatsoever in being an influencer. If a particular book isn’t your cup of tea, please pass it along to someone you think might enjoy it. But if you do like the book, there are numerous ways to help spread the word.

Not everyone will feel comfortable or have the means to drop leaflets while parachuting from an airplane, but on the list below, you’ll find at least one thing that will be a perfect fit with the ways God has gifted you. And I guarantee your efforts, large or small, will bless the author.

•Write a review for the book on online bookstores such as:

http://www.amazon.com
http://www.barnesandnoble.com
http://www.christianbook.com

•Write a review at one of the many online book review sites, including:

http://www.acfw.com/bookreviews.shtml
http://www.faithfulreader.com/wom/wom.asp
http://www.epinions.com

•At http://www.christianbook.com you can recommend books via an e-mail link that will take your friends right to the page of the book you’re promoting.

•Recommend the book as a featured title for an area book discussion group. This is especially appropriate if the book has discussion questions in the back.

•Start a discussion about the book on your blog or on e-mail loops you’re a part of.

•If you have a website or write a newsletter, consider featuring novels you’ve read and enjoyed.

•Add the book to your list of favorites on Facebook, Twitter, LinkedIn, or other online communities.

•After reading and reviewing the book, give it away as a prize in a drawing on your website or blog.

•If you have a unique perspective—for instance, personal experience with the book’s topic, a man offering a male perspective for a women’s fiction book, etc.—offer your insights in venues that might not ordinarily hear about the book.

•Donate your influencer copy to your public library or church library when you’re finished reading it. Better yet, share your copy in other ways and buy a second copy for the library.

•Print out a review you’ve written, or other reviews of the book and give them to your public or church librarians for consideration.

•Offer to distribute bookmarks and/or postcards for the author or publisher. Public libraries, church libraries, bookstores and gift shops are usually happy to have giveaways on their counters.

•Ask your church if you could tuck postcards or bookmarks in the morning service bulletin some Sunday.

•Place bookmarks or postcards about the book at each place setting as favors for a luncheon or banquet.

•Hang out in your local bookstore and “hand sell” the book by talking it up to customers shopping in the fiction department.

•Talk to the clerks in any bookstores and libraries you visit and ask if they carry the book. If not give them a short book report and recommend they order a few copies.

•When visiting bookstores, do a little creative rearranging to turn the book face out on the shelves. Use good judgment and don’t hide one book to promote another. Also keep in mind that in some stores front-table space is paid for by the publisher, so don’t “steal.”

•Offer to write a book review for your church newsletter, neighborhood newspaper or any other printed source that might reach readers.

•At your next women’s retreat, volunteer to organize a book table, where you will feature the book.

•Offer to organize a blog tour for the author, setting up a week when numerous blogs will feature the book and interviews with the author.

•When you’re finished with the book, tuck it into a gift basket for someone who is ill or in the hospital; or take it to your next dinner party as a hostess gift.

•Leave the book in a waiting room where someone with a few extra minutes might start reading it.

•Prison ministries are always looking for wholesome books to distribute. Check out groups like Prison Book Project: http://www.nbbd.com/npr/PrisonBooks/index.html.

•Word-of-mouth is still probably the number one way books hit bestseller lists, so simply start conversations about the book. Tell your friends and family what you’ve been reading and why you enjoyed it so much.

DEBORAH RANEY's first novel, A Vow to Cherish, inspired the World Wide Pictures film of the same title and launched her writing career after 20 happy years as a stay-at-home mom. Her books have won numerous awards including the RITA, National Readers Choice Award, HOLT Medallion, the Carol Award, and have twice been Christy Award finalists. Deb's 23rd novel will release from Howard/Simon & Schuster Spring 2013. She and her husband, Ken Raney, enjoy the wildflowers and native grasses in the Kansas prairie garden in their large backyard. They also love traveling together to teach at conferences, and to visit four children and four small grandchildren who all live much too far away. Visit Deb on the Web at www.deborahraney.com.

What will make FCWC 2013 unique from past years?

Eva Marie Everson — Tue, 1 Jan 2013 12:17:15 EST

Part One

I hear this question a lot. That and, “We’ve always had thus and such. Will we have it again this year?”

When Mark Hancock and I took the role of Director of FCWC, we knew we wanted to keep the “coming home” feel, but at the same time, we wanted to switch things around. Jazz them up, to a certain degree. Not that we didn’t like the way our predecessor, Billie Wilson, had done things. Not at all. In fact, what we are doing is honoring her by taking the foundation she laid and building upon it.

A building—and a conference—is only as strong as its foundation. We have an excellent foundation to build on.

So, let’s look at a few of the things we’re doing differently. The first is a pre-conference day, Wednesday, that will offer two “studios.”

The first is the Book Proposal Studio.

The Book Proposal Studio, will be hosted by Kathy Bruins (Word Weavers International, Inc. president of West Michigan chapter) and Kim de Blecourt, author of the critically acclaimed book Until We All Come Home (FaithWords, 2012).

From our website: The studio is for writers with a book-length manuscript to present to editors during the conference. For a nominal fee of $50, participants will work side-by-side with Kathy and Kim to craft a professional book proposal (or One Sheet) for the conference.

A book proposal has a specific format and must answer the questions on an editor’s mind. As an author, you must answer:

1. What is the topic and message of your book and what is the take-away value?
2. Who is your target market, who is your competition in the market, and why is your book different and better than other books on the subject? This section should include a marketing plan for your book as well.
3. Who are you, and why are you the perfect person to write this message?

Attendees for this session should come with their manuscript and all the information needed to write the proposal. For more information: Click here.

The other studio offered on Wednesday is a “Pitch Studio,” led by Fay Lamb, acquisition editor for Pelican Book Group.

From the website: Authors often find it easier to write 80,000 words than to pen a short summary of their work. Bring a proposed back cover blurb of the book you plan to pitch, and Fay Lamb will teach you a fail-proof technique for fine tuning your ideas before you toss them out to an agent or editor. For more information: Click here.

Finally, on Wednesday, we’ll begin something new for our “after hours.” For nearly 18 years, Word Weavers International, Inc. (www.Word-Weavers.com) has used a technique called “The Sandwich Method” for critiquing our work. This technique has led to a high number of published authors—who go on to win awards—from our ranks. FCWC 2013 is offering Word Weaver modeled critique groups. So, bring your work (for requirements, go here) and become a part of the success!

We look forward to seeing you at FCWC 2013 during our new Day 1.

Eva Marie Everson, Director
FCWC 2013

Managing Your Time

Rusty Wright — Sat, 29 Dec 2012 10:20:26 EST

One morning a farmer told his wife that he was going out to plow the "south forty."

He got off to an early start so he could oil the tractor. He needed more oil, so he went to the shop to get it. On the way to the shop he noticed the pigs weren't fed. So he proceeded to the corn crib, where he found some sacks of feed. The sacks reminded him that his potatoes were sprouting. Then when he started for the potato pit, he passed the woodpile and remembered that his wife wanted wood in the house. As he picked up a few sticks, an ailing chicken passed by. He dropped the wood and picked up the chicken.

When evening arrived, the frustrated farmer had not even gotten to the tractor, let alone to the field.

Sound familiar? The late Bill Bright – as have many others – related this humorous story to illustrate the importance of determining and focusing on God’s priorities in our daily lives.

Dissipated by Distraction?

Do your great intentions ever become dissipated by distraction? Need more time to accomplish what you believe God has given you to do? In the “How to Manage Your Time” workshop, learn five simple steps to plan your work, plus lots of practical tips to help you work your plan.

Near the end of His earthly life, Jesus told His Father, “I glorified You on the earth, having accomplished the work which You have given Me to do.” Whew! Could I even come close to saying that when my life ends? Learning to manage your time can help you accomplish what He gives you to do. (I’m still learning!)

To read more about Rusty's contribution to FCWC2013, click here.

Are You Ready for the Conference?

W. Terry Whalin — Wed, 26 Dec 2012 20:45:52 EST

It's a personal investment to attend a writer's conference. Whether you attend for a full day or spend several days in another state, it will involve investing your time, energy and money. In these pages, I will explore some of the reasons to attend these meetings, links and helps to find information about where to find these gatherings along with other resources to help you improve your writing skills.

Like many other kinds of businesses, the writing business is relational. Talent, craft and skill does enter the consideration but it's also who you know. Possibly you are new to this field and you are crying, "I don't know anyone." That's OK. Everyone has to begin somewhere in this journey. You don't have to stay in that situation. Through writer's conferences, you can begin to form some editor relationships.

Almost twenty years ago, I began attending these specialized meetings. I worked on a magazine staff and we understood the benefits and accordingly we used our slim financial resources to send staff members to meetings. It helped their professional development and also helped improve their ability to work on our magazine. I've attended conferences for my own personal development and professionalism.

In recent years, I've represented publishing houses as an acquisitions editor at these gatherings. As an editor and an agent, the experience has been eye-opening to me and changed some of my perspectives. I've got some amazing stories about pushy conferees trying to convince me to purchase a particular manuscript. A pushy attitude usually backfires and makes the editor or agent want to run instead of listen carefully to your idea. Always remember that you want to make a good impression on the editor or the agent.

Even as an acquisitions editor, I continue to select at least one conference a year that I attend as a regular conferee--i.e. a paying participant and not someone who attends to represent a publisher or magazine and teach workshops. One conference that I regularly attend for my own development is the annual conference for the American Society of Journalists and Authors in New York City. The schedule is posted on their website and it is a broad reaching event. I've met editors at Ladies Home Journal, Woman's Day, Money magazine, and numerous mainstream book editors. Several years ago at the ASJA member meeting, President and Mrs. Carter came to the session. One of the ASJA members wrote a book with Mrs. Carter and they were invited. I managed to give President Carter a copy of my then new book, Lessons From the Pit. Such a connection came from attending a conference.

Conferences have been a large part of my writing career. Often at these conferences, editors and agents are inundated with the wrong material because writers haven't done their homework. So often writers will send the wrong material to the wrong place and wasted everyone time--the writer and the editor or the agent. At a writer's conference, you meet the editors face to face and realize that they are also real people. This process begins to form your relationship. Then when you send in your material, they recall your name (or you can recall it to their attention saying, "It was great to meet you at ______ conference..."

Three Pieces of Advice

1. Do your homework. Know who will be attending the conference and reading in advance what a particular editor needs and acquires (even the Christian Writer's Market Guide is a good place to start or use a simple tool like “Google”). Then craft an idea, a proposal or something to start the conversation with this editor. Give them something they need. Editors read lots of stuff that they don't need at these conferences. Why? Because they are looking for the jewel in the stack, then they can publish that manuscript. It could be your writing if you do your homework.

2. Make a point to get to know different editors--even outside of your particular genre. What you write this year may change next year. Even if you've never written a book, get to know the book editors. Sit at their tables and talk with them about your dreams and hopes. And throughout the week, make little notes of things which strike you--then read your notes when you get home and follow through. You would be surprised how few people actually execute the necessary follow through work.

3. Learn your craft but also look to expand your writing horizon. This advice would be for newcomers but also for the veteran. I'd encourage everyone to take a class outside of what they normally take. If you don't write for children, take a children's workshop. If you have never written a personal experience article then take a one hour workshop on this topic. It might open a new door of opportunity in your writing life.

I've made some dear friends at writer's conferences and that's why I look forward to going to the Florida Christian Writers Conference. It's my opportunity to help others and give back. I'm constantly learning new things as a writer--and a writer's conference is a place to soak it in.

W. Terry Whalin understands both sides of the editorial desk--as an editor and a writer. He worked as a magazine editor and his magazine work has appeared in more than 50 publications and he’s written more than 60 books for traditional publishers. A book acquisitions editor for several publishers and a former literary agent, Terry is an acquisitions editor at Morgan James Publishing. Whether you are unsure how to start on the path to publication or want to take your publishing career to the next level, Terry’s newest book, JUMPSTART YOUR PUBLISHING DREAMS, INSIDER SECRETS TO SKYROCKET YOUR SUCCESS is packed with insight. Also Terry is the author of the bestselling book, BOOK PROPOSALS THAT SELL, 21 SECRETS TO SPEED YOUR SUCCESS. Plus he’s created a 12 lesson online course on proposal creation, Write A Book Proposal. At the Florida Christian Writers, he will be teaching a one hour workshop, Editors Read Proposals Not Manuscripts.

Devoted to Devotions

Ava Pennington — Fri, 21 Dec 2012 09:04:49 EST

You’re a writer. You’re not published yet, but you are a writer. You may even be ready to pitch an idea for a terrific book at the next Florida Christian Writers Conference. But if you’re not yet published, how can you convince agents and editors to take a chance on you?

Consider learning how to write and sell devotions to:

- Hone your writing skills.
Whether you are crafting fiction or non-fiction, books or articles, every writer needs to “write tight.” Writing tight—or lean writing—means each word counts. Flabby writing is the nemesis of every writer. Since devotions usually have limited word counts, you’ll learn to write effectively and concisely.

- Train in meeting submission deadlines.
Writing a book requires a healthy respect for deadlines. Authors must exhibit discipline in meeting contract, editing, even marketing deadlines. The sooner you learn to meet (or beat!) deadlines, the better.

- Build writing credits.
If you are seeking your first book contract, a portfolio of writing credits builds credibility with agents and publishers. Published devotions communicate that you are serious about writing and being published.

- Develop your platform.
When you submit book proposals, publishers want to see that you have a built-in audience. Writing devotions helps you to develop name recognition.

- Develop your own relationship with God.
As you progress in your relationship with God, writing devotions provides an opportunity to process your spiritual growth. Well-written devotions combine introspective skills with observations about the Christian life. The results are devotions that encourage you before they encourage anyone else.

- Minister to others
Your writing talent is a gift God has given to you. Writing devotions is one way you can use this gift to bless others.

A bonus in writing devotions is that you do not need to be represented by an agent to submit devotions for most devotional markets.

As you can see, writing devotions is as beneficial to the writer as it is to the reader.
I’ll be teaching a continuing class, From Verse to Sale: Write, Submit, and Sell Devotions, at the next FCWC. Join our class and learn how you can develop a portfolio of publishing credits while ministering to others and strengthening your own spiritual walk. Hope to see you there!

Ava Pennington

To read more about Ava's contribution to FCWC2013, click here.